Look at how the parts meet
In the example shown here, a bird, a train, a fence and a simple smiling face overlap in one compact composition. Fine internal lines describe the structures, while dark accents give particular elements more weight.
The interest lies in the relationship between those elements: a familiar image can take on another mood when placed alongside something from a different visual world. This is a useful portfolio to explore if you are drawn to graphic combinations and references that do not need to sit in separate frames.
Bring the reference and what you like about it
A Roman reference, an image from daily life or a graphic idea can start a discussion. Explain which qualities you want to keep: the shape, the texture, the composition or the subject itself. Give the artist room to consider how those parts could work as a tattoo.
Look at several examples before deciding how much detail you want. Placement and scale can change how the composition reads, particularly where lines overlap.
Enquire with Fabian
Contact @fako.orat.tattoos with your references, placement and approximate size. The design direction, appointment and individual price are discussed directly with the artist.
Explore the studio’s different approaches to blackwork for related work and planning questions.
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